The Connection Crisis

Day 61: Monday

Good morning Zak,

Remember this post from before Christmas?

I wish I could bring you back something that would summarize what Milano means to me… There’s just something in the air here that I wish I could share with you.  Cigarette smoke, smog, and then something else.

What I ended up getting you was coffee and conversation.  Here in Italy, coffee is what you Americans call “espresso.”  In retrospect maybe I should have gotten a different gift, since the coffee-drinking habit might kill us some day.  On the bright side, it may also help us live longer

Many news sources and journalists say that our society is entering a post-truth age.  This is supposedly a recent development.

“What is truth?” -Pontus Pilate c. 32 A.D.

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The public too often disposes of facts and evidence in favor of conspiracy theories and other unfounded nonsense.  In a post-truth society, science and fact are sometimes replaced by gut-feeling, superstition… and mystery.

Every year in ancient Greece there used to be this famous religious rite known as the Eleusinian Mysteries.  Maybe you’ve heard of it.  This was an initiation ceremony for the cult of Demeter and Persephone.  As any good history student can tell you, participants in this ceremony were required to… well…

We have no idea what they did.  It’s called the Eleusinian Mysteries not the Eleusinian Tell-Everyones.  Initiates to the cult were required to keep its practices a secret, and they remain a secret to this day.

It’s easy to understand why people were attracted to this sort of thing—it’s about connection.  I mean, secrets can be a lot of fun. They can bring people closer together.  As a case and point, take our blog’s secret peer review process for unusual uses of spoons.  It’s nice to be a part of a small community that shares certain exclusive knowledge—even if that knowledge is of no real consequence.

fvf-lgThe scientific community is like that.  It has its secrets I mean.  Only scientists really understand why we believe humans evolved from fishes, or how the entire universe once fit into a mass the size of a golf ball.  As a layperson, I don’t really have access to all the data and methods that lead to those conclusions.  But Bill Nye, Neil Degrasse Tyson, and other public pundits insist that I adopt these beliefs and the ideologies that accompany them as an article of faith.  Faith in a method and process that I do not see.

Speaking of faith, it might be worth pointing out that the modern English word “pundit” comes from the Sanskrit paṇḍita—a Hindu pandit is a priest or wise-person.

The gradual dogmatization of science has begun to cause us problems.  Whenever philosophical opinion gets presented as scientific fact, it undermines faith in the objectivity of the field as a whole.  Needless to say, this is starting to have very negative consequences…

280px-a_small_cup_of_coffeeBut the biggest problem with the cult of science has nothing to do with politics.  In my view, the main issue is much more personal—it’s about connection.  Unlike traditional cult mysteries, the secrets of science don’t bring people together; if anything they do the opposite.  The founders of the new religion have failed to consider some very fundamental questions: where are the faithful supposed to gather? what rituals will they perform together?

“And if I understand all mysteries and all knowledge, […] but have not selfless love, I am nothing.”

Corinthians 13:2

Those are not rhetorical questions; they represent the main syndrome of our society.  If we solve the connection crisis, if we figure out how to have meaningful human contact in the Age of Information, a lot of the symptoms we’re experiencing will start to go away.

To our American readers, hope Saint Valentine is good to you tomorrow… or whatever you people say.  Seriously though, hope you can find yourselves some coffee and conversation.

Until tomorrow,

Tim

Twisting an Arm

Day 53: Wednesday

Good morning Zak,

There once was a little frog named Josephine.  She had a pet human named Robby.  Every morning, she let little Robby out to play and do his business.  Robby’s favorite toy was a sack of paper.  He took this with him when he went out, wearing his red and blue hat with the yellow helicopter propeller on top.  Josephine spent most of the day playing twister.  In the evening, Robby came back in and Josephine fed him.  He was always naughty at meal time because he didn’t keep his food in his can.  It would end up in Josephine’s room.  She ate it so it wouldn’t go to waste.

One day Robby came home, and his face was bright red.

“You’ll never guess what happened today, Josephine!”

Josephine couldn’t guess.

“Freddy payed me five dollars, and I kissed Gracie on the lips!  It was so funny!”

Josephine couldn’t believe it.

“I told Freddy it was gross, and he couldn’t make me do it.  But then he gave me five dollars, and I thought it was funny, so I did it anyway because I thought it was funny.”

Josephine looked at him.

robby-and-josaphine

Until tomorrow,

Tim

Love isn’t onion breath

Day 50: Friday

Morning, Tim!

Yesterday wasn’t my best day. Nothing dreadful happened. Much worse has happened in my life, let alone others’. But it still wasn’t good.

I spent nearly 13 hours in a windowless room. Lunch was catered in, and we worked through it. Breath after eating Middle Eastern food is potent; multiply it by 40, heat it up – not one of my top 5 favorite smells. Following work I went to school, listening to my professor lecture about investments for 2 hours without pause. Good stuff.

Upon arriving home, I nestled in, just thankful for the day to be done. I complained to my wife, who simply listened. I was grateful.

But then it got much better.

For our first anniversary (months ago, now), my wife made me a box of presents. Envelopes to open at different times given the occasion — perhaps a wonderful day, perhaps boredom. All of these envelopes had letters fitting the occasion, a way to make me smile. Many had a present accompanying. One letter was when I needed to feel handsome — a beautiful note of encouragement, a pep talk, and a mirror to show me what she sees.

I had forgotten about these, but am thankful to have stumbled upon them last night. I opened the box, rifled through it a bit, and was thoroughly blessed to find this:IMG_1074.JPG

One was for having a bad day.

In it there was yet another beautiful letter, comforting me. Not knowing one bit about my day the near year ago when it was written, it was just what I needed. It also contained this gem:

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which should make anyone smile. Especially me. Puns are the best.

You may have noticed the Gift #2 on the envelope. In case you’re curious, it was a book – Alexander and the Terrible, Horrible, No Good, Very Bad Day. So I read it in a silly voice, and felt much better.

It’s great to feel known, cared for, loved.

My day wasn’t so bad after all. I drifted off to sleep, cherishing as always the sound of John Cage’s 4’33’’ as my eyelids slowly came to a close.

Until Monday,

Zak

Paradox

Day 47: Tuesday

Good morning Zak,

So a while back I posted this word-cloud representing the frequencies of individual words in the love poetry of Cino da Pistoia.

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My point in posting this was to illustrate Pistoia’s great obsession with death.  Morte is one of the most common words in his poems.  But Pistoia is by no means alone in this.  Many love poets have a similar morbid fixation.  The tendency can be traced all the way back to the beginning of love itself.

Love began around 1100 A.D.  Before that, it wasn’t really a thing.  Seriously.  I mean there was such a thing as friendship or erotic passion or fondness or charity… But “romantic love”?  The notion of some kind of noble or ennobling passion for which one should make great sacrifices—that more or less began in Languedoc around the turn of the second millennium.

“Love means never having to say you’re sorry.”
-Love Story

Could someone please tell me what on earth that line is supposed to mean?

Anyway, for as long as love has existed, the sentiment has almost always been accompanied by a sort of psychotic preoccupation with death.  Even the troubadours—the first true “love poets” in the modern sense—were like this: if Freud were somehow able to transcend the threshold of time and sit one of these guys down for a free word-association test, no doubt the pairing between the words amors and mortz would be as natural as it is automatic.

“And Rudel knew that she who embraced him was the countess.  And immediately he regained his sense of hearing and smelling, and he praised God that He had sustained his life until he had seen her.  And then he died in her arms.”

The association remains deeply engrained in our subconscious even today:

“To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it
go,
to let it go.”

-Mary Oliver, from “In Blackwater Woods”

So that’s weird, isn’t it?

Anyway, Zak, you raise a good question:

“If we love others in part because there is potential to become beautiful and they are not yet there, how and when do we engage them in change?”

So basically, if we take poets seriously when they say that love is supposed to be some kind of transformative experience, how does that transformation actually work in practice?

The internet is full of opinions.  I don’t offer you an answer here because I don’t have one.  All I can say is that the collective wisdom of Western poets throughout history tells us that love is a kind of death.  Some people like to call it a petite mort.  However petite or not this poetical death really is, the concept creates something of a paradox: poetical death is also the (pro)creative impetus of new human life.

It’s not at all strange that romantic love suddenly became the central topic driving most Western literature after the middle ages.  Really, the sentiment embodies everything our society ever wanted out of a story.  Writing a good story is about having a vision and being willing to suffer for it.  Pursuing life, even at the cost of death.  That’s what the heroes in every epic have done since the dawn of man.  It’s also likely what we humans will continue to do for as long as this crazy little adventure of ours keeps us turning the pages.

Well, we’ll also continue to do other things… we’ll probably also keep pooping.

Until tomorrow,

Tim

You’re Ugly

Day 45: Friday

Good morning Zak,

I don’t have much to write today.  I think I’ll just use this entry to curate a few quotations…

Quotation 1

Since the middle ages mainstream love poetry has pretty much always centered around idealizing the beloved.  I think that’s basically what people mean when they talk about “romanticism.”  But as long as romanticism has been the dominate feature of secular literature, there have also been charming little reposes from it…

“My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;”
-Shakespeare, Sonnet 130

Lines like these make me wonder about Shakespeare’s love-life.  I mean, I know the last couplet of this poem is something of an apologia for the rest of the thing, but I still have trouble picturing this woman just falling into his arms as he tells her that her breath stinks (ln. 8).

However that may be, as poetry the sentiment is simply lovely.  Of course, this kind of anti-romanticism is predicated on the predominance of romantic sentiment in society at large.  It’s fun to call your mistress ugly in a love poem only because it goes against the grain of the genre as a whole.

Quotation 2

“I buy you rogaine
when you start losing all your hair,
sow on patches
to all you tear.”
-Ingrid Michealson, “The Way I Am

Apparently Michealson likes this kind of irony too.  I’m putting this song at the bottom of today’s entry.

Both of these quotations are about the outward appearance of the beloved.  Basically Shakespeare and Michealson are both saying the same thing: you’re not hot, but I love you anyway.

Or does “sowing on patches to all you tear” carry some kind of metaphorical meaning?  That’s a pretty jejune way of reading it… right?  I mean haven’t we moved past the days when everything in art was somehow supposed to signify something other than itself?

Quotation 3 & 4

“You take me the way I am.”

This is Michealson’s version of Shakespeare’s final couplet…

“And yet, by heaven, I think my love as rare
As any she belied with false compare.”

Both very charming little passages.  There’s something philosophically appealing about the notion of being accepted along with all of one’s flaws.  Warts and all, as it were.

But the more I think about it, the more I feel there’s some kind of deeply rooted fallacy in the ideological fabric that underlies this poetry… Both poems are reactions against romanticism.  If they cannot be called realist they are at least anti-idealist.  And yet, when I reflect on my own identity—the way I am—outside of any kind of idealist point of view, I must admit that I am not that satisfied with myself.  I have my reservations about the prospect of being taken precisely the way I am.

For sale, buy as is.

I’m going to just go ahead and give you my opinion here.  There is nothing truly poetic or beautiful about man unless it is his potential to become beautiful—not the way he is but the way he may be.  Let scientists and historians report the facts of nature and society; the duty of a poet is to look at humanity with an artistic vision.  To see not actuality but potentiality…

and preferably not to confuse the two.

Until Monday,

Tim

P.S. Consider this my confession: I dropped the ball, and we missed precisely two weeks of the daily blog.

Banal

I wish I could say it were some choice Brunello.
Something or other di Montalcino
in these rolling hills of Tuscany.
But a poet’s golden token
only goes so far,
and what’s it worth
for bowtie noodles?

I didn’t have the nose to sip it sitting in my rotten sock drawer bitter as my broken esophagus.

A finer kind of whine
might sigh more sweetly
in refined pedantic meter.
A better brand than sea-sick indigestion—
but what is in a name?
The wine-dark Atlantic
divides my fart in twain.

All’s Fair

Day 35: Friday

Good morning Zak,

giuseppe_verdi_by_giovanni_boldini

Giuseppe Verdi, 1813-1901

So there was once this gran maestro in Milan named Giuseppe Verdi—maybe you’ve heard of him.  Verdi spent most of his time writing operas and growing magnificent facial hair.  If you’ve ever been to a Verdi opera, you have a deep appreciation for the meaning of the phrase “it ain’t over ‘till the fat lady sings…”  Verdi’s operas tend to last on the order of 3 to 4 hours.

But don’t worry if you sleep through part of that.  Before the fat lady sings, Verdi will write into the music one elusive little something that miraculously summarizes the entire work.  He calls this magical something the tinta.  A tinta can sometimes be as short as two notes, but in those mere two notes, Verdi embodies the underlying spirit that unifies hours upon hours of music.

The first time I came here to Milan, I had to go through a bit of cultural sensitivity training.  Just as you would expect, cultural sensitivity training consists primarily in listing off a detailed catalog of facts: Italians tend to be less punctual than Americans. Italians tend to talk with their hands more than Americans. Italians tend to

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I should’ve just asked them to print the receipt on foil

Zak, this letter comes to you from an airport.  I am about to spend twelve hours in a giant metal tube shooting through the air above the Atlantic ocean at unfathomable speeds.  All this so that I can be home for Christmas.

Reading the Odyssey has taught me not to expect too much whenever I come home from a long trip.  I’ll really just be glad if I don’t find my house invaded by a ruthless band of hostile men I have to slaughter single-handedly.  That would be super awkward.

Italians tend to speak at a louder volume than Americans.

I wish I could bring you back something that would summarize what Milano means to me.  Some kind of tinta that could explain everything.  I guess a lot of travelers probably feel this way.  That’s why there are so many souvenir shops.  I love useless junk as much as the next guy, but somehow I’m not sure if I feel that a “kiss me I’m Italian” tee-shirt really summarizes the spirit of this place.  There’s just something in the air here that I wish I could share with you.  Cigarette smoke, smog, and then something else…

Yesterday I had a conversation with an Iranian composer who is setting a poem written in Persian to music.  He translated the poem into Italian for me.  It’s this brilliant little double entendre: at first it seems like a tragic piece about unrequited love, but only at the very end you realize that the whole thing has just been about a school boy trying to copy answers on an exam.

Italians tend to like pasta more than Americans.  Don’t let any of these things freak you out.

Shame the poet’s work is only available in Persian.  Then again, translating poetry is extremely difficult and impractical.  Communication is hard enough when it’s confined to one culture.  People often have trouble interpreting each other’s business emails.  That fact should put things into perspective whenever an artist tries to share the human experience on a deeper level.  Being human, after all, is about more than just information in a business email.  It’s about cheating on exams in school.

See you soon,

Tim

day 2 of battle.png

Day 3 of Battle: I neutralize your vinegar with electrons, and I huff and I puff, and I blow your base down.