More like America-nada

Day 92: Friday

Good morning Zak,

Zak, you’re too clever for me.  I think I must have spent twenty minutes mulling over your use of the letter ‘d’ before I got the pun.

Anyway, you raise a good question: is technology partially responsible for the Excess I’ve been whining about?

When I first got music notation software, I went through a phase of writing all my music directly into the computer.  Eventually I stopped that and went back to writing by hand before copying into a notation program.  The quality of my music improved drastically at that point.

I know correlation is not the same thing as causation.  But I do think there’s something to this…

A lot of music and art in general is predicated on the mechanism of pattern recognition.

“In effect aesthetic pleasure derives from the fact that the soul recognizes in the material the harmony of its own structure.”

—Umberto Eco (In reference to the views of Ugo di San Vittore)

I don’t know if the physical process of writing by hand makes it easier for me to recognize patterns.  At the very least, it makes the artistic processes much more intimate.

But patterns are a big deal.  The more arcane a pattern is, the more rewarding it is when our brain/soul recognizes it.  But if it’s too arcane, of course, there’s the danger that we won’t recognize it at all.

I’ve written before about the pattern of pairing love with death in medieval poetry:

“All I can say is that the collective wisdom of Western poets throughout history tells us that love is a kind of death.”

That’s maybe one of the most interesting patterns in Western literature.  It’s something that resonates with us all on a fundamental level.

That’s why people like the story of Paolo and Francesca so much.  Frankly I get a little annoyed by the excessive popularity of Inferno Canto V.  The fame of Francesca’s little vignette has tragically eclipsed the rest of the Divine Comedy in popular culture.  I went to Bergamo and saw this excessively Romantic depiction.

While the hipster in me is, as I said, a bit annoyed, I do understand why people like this kind of thing.  This story should be popular.  When we experience a piece like this, our soul recognizes in the material the harmony of its own structure.  We understand on a fundamental human level that life couldn’t really be a thing without love to the point of death.

That’s easy to recognize.  As far as other patterns go… a hyphen may be well advised.

Until Monday,

Tim

A Peruvian Table

Day 86: Wednesday

Good morning Zak,

It’s become clear to me that my flatmate is in a pyramid scheme.  I heard her talking about it the other day.  This is something where the majority of income comes from recruiting other people to join.  Not a legitimate business… These things kind of creep me out sometimes.

So here’s one for you: do I have a moral obligation to reason with her about pyramid schemes?

Here’s another one for you: how do you pronounce Xlktsptetizd?

Now that one will keep you up at night.  Every now and then my composition Maestro asks me how to pronounce an American last-name.  I’ve tried to explain that ‘American’ last-names are of all different nationalities; unlike Italian last-names, they have no consistent pronunciation.

“How do you say this?” (points to a string of random letters. mostly consonants.)
“It depends where the name comes from.”

My first-name is enough to give the Italians a run for their money.  Timothy.  Not Team-o-tea.  I just recently started teaching English at an elementary school nearby.  The kids are hilarious.  The moment I step into the classroom they start up like a proper dawn chorus if each bird chanted Team-o-tea instead of its usual morning song.  I guess that’s one ‘English’ word they like.

The short i sound in Timothy doesn’t really exist in Italian.  This means it’s easy for them to confuse words like ship and sheep.  Also hit and heat, fit and feet, slip and sleep… as native speakers we don’t often think about how similar those words sound.  Actually, they almost become poetic when you string a bunch together:

I sit the sheep
in the ship on a seat.
It drifts away,
my mind slips off to sleep—
my feet fit snuggly
in their slippers…

Not all poetry makes sense.

Last week I went to a concert of songs based on Shakespeare poetry. Shakespeare makes me so nostalgic.  Sometimes too nostalgic.  Actually anything I studied a lot when I was younger can have that effect.  Do you ever get the feeling your life is written in blank verse?

Anyway.  Maybe I’ll empathize better with my flatmate now that I get where she’s coming from.  Pyramid schemes are build on dominance.  The dominance of people who join early over those who join later.  Living in a Nietzschean universe like that, I can almost see why you might stick two thick master locks on your cereal cupboard.

Sometimes you gotta have a sense of humor about things.  I told my Maestro I’m starting to teach English to little children.  He nearly rolled on the floor laughing:

“What, they’ll ask you, how do you say tavola.  ‘It depends where the table comes from.  If it’s a Peruvian table, you say tahh-b-lay.’”

So yeah…

Until tomorrow,

Tim

Class Decaffeinated

Day 84: Thursday

Good morning Zak,

So I went to class today only to find that it wasn’t happening.  Our instructor was in Rome, and he forgot to tell us.  A friend of mine was there—another foreigner.  He wasn’t happy about it.  I tried to explain to him that this kind of thing is normal in Italy.

Italians are fantastically impractical.  The other day I was running a bit late for a meeting.  I was trying to buy a train ticket, but the machine wasn’t working.  This was problematic because the Italians had installed a modern art gallery in the metro-station instead of a ticket office.  No joke.  The broken machine was my only hope…

Zak, this crazy country is too much sometimes.  I recently saw a policeman writing up parking tickets.  I’m not sure how he decides which of the cars lying every which way on the sidewalk to skip.

I don’t know how they get anything done in this place.

A different class actually did happen today.  A piece of music we were looking at had a paragraph written in English on the first page.  The Maestro asked me to translate.  I did.  Everyone was surprised by how well I knew English.

So anyway, my friend and I went to get a café together when we found out class was canceled.  My friend is still relatively new to Italian.

“I’m having a café lungo.  What do you want?”

“Uh, café decafenato.”

“What is this word, decafenato?  Café with all the café taken out?”

Somehow that conversation was much funnier in broken Italian.

Until tomorrow,

Tim

Writing Rightly

Day 82: Tuesday

Good morning Zak,

As a writer, or at least as someone who poses as a writer, I like thinking a lot about words.  Especially about unusual uses for words.

There are a lot of ways to use the word “right.”  People can be right-handed, right-winged, or just generally right about things…  In Italian, the word we use for “left” is sinistra, which comes from the Latin sinister, also meaning “left.” 

Today’s unusual usage for a spoon: determining a child’s dominant writing hand.

Incidentally, our English word “sinister” has the same etymology.  The ancients used to believe left-handed people were daemon-possessed.  That’s why right has traditionally carried auspicious connotations and left  inauspicious ones.  There’s a symbolism behind it all.

But discriminating against left-handed people is clearly not right.  I was born ambidextrous, so I know this first hand.  I used to drive my parents crazy by picking up my spoon with the opposite hand for every bite of cereal.  But I can’t discriminate against half of myself.  That would be not only logically incorrect, but also wrong.

In your last entry:

“At work, we have this commitment to ‘being curious over right.'”

But there are some things we simply can’t know first hand.  Like, Zak, as much as I’d like to know what it’s like to be you, there seems to be some kind of insurmountable barrier that separates us from each other.  I’m not talking about the Atlantic ocean.  Although that is one obstacle between us at the moment, it’s nothing compared to the ever untraversable threshold that separates one human consciousness from the next.

We all have different ways of handling that barrier.  Some people don’t deal with it at all, which is probably the saddest way.  Other people read and write things:

“I felt I had escaped for a moment from the prison of my own head and caught a brief glimpse inside someone else’s.”

And still others just try asking people lots of questions:

“Too often someone will state their point of view, perhaps more confidently than what they could […] back up if [we] continuously asked [them] ‘why.’”

Now that’s one very charming strategy.  I’m given to understand that philosophers call this “the Socratic method.”

Zak, when I first met you, before you married my sister, I’m pretty sure you were under the impression that the Socratic method was not only for philosophy but also for socializing.  Actually I’m pretty sure that exact thought must have been going through your head during that season of life.

“I like your green tee-shirt.”

“Thanks.”

“Is green your favorite color?”

“Um… actually, it is.”

“And why’s that?”

Zak, in other letters I’ve often bemoaned the lack of sound advice to be found in classical literature for picking up girls.  It turns out I’ve just been reading the wrong books all this time.  The Greek philosophers certainly didn’t let you down.

Anyway, what I’m trying to say is I feel like there are some cases where we’re better off doing right than being right.  (I’m sure that sentence must be on a bumper-sticker somewhere.)  Empathy is one of those cases.

If someone asked me why I believe the people around me are conscious, I’d have a hard time justifying it.  I guess I could appeal to older philosophical systems… Descartes certainly comes to mind… but in the end it wouldn’t be a matter of precise science.

We come into this world confident in a few things…  Maybe the burden of proof lies on the side that opposes our intuition.  I honestly don’t know.

“Now faith is the substance of things hoped for, the evidence of things not seen.”

Until tomorrow,

Tim

Peanut Butter

Day 80: Friday

Good morning Zak,

So I’ve been thinking a lot about peanut butter recently.  Especially about its texture.  There’s something very interesting and unique about that silky quality it has.  It can take just about any shape, but it always has the same generally smooth and even consistency.

We don’t have peanut butter here in Italy.

Zak, one thing I’ve noticed through my experience as a composer and a poetaster is that writing takes a bit of frivolity.  Writers are usually the sorts of people who take pointless things very seriously.  Things like pyjamas.

That’s one aspect I admired about my composition teacher in undergrad.  You could present the most pointless and ridiculous ideas to him, and he would always dive right into them with you head first.  There wouldn’t be even a moment of hesitation to ask how worthwhile something really was.

In the end, I think pointlessness usually does turn out to be worthwhile, but an artist needs to be willing to invest in something while it’s still just pointless.  There was once a 34 year-old man who started spending all his energy thinking about four little notes.  He was clearly just wasting his life, and if he had any sense he would have dedicated himself to something more useful.  But then we wouldn’t have Beethoven’s fifth symphony.

In your last entry:

“I’ve been a bum of a correspondent recently. […] I have allowed myself to become overwhelmed.”

OLYMPUS DIGITAL CAMERAI used to think that lyricism was kind of pointless at its core.  Lyrical poetry could express its meaning just as clearly without so many rhymes.  Lyrical melodies could be taken out of a composition without really disturbing its functional structure.

But none of that is actually true.  Lyricism is a fundamental part of communication.  If even our everyday language were fully devoid of lyricism, it would quickly become unintelligible.  That starts to happen whenever we write complex sentences with lots of prepositional phrases and parentheticals.  Try reading this sentence:

“At a time in the history of Western thought of serious skepticism toward teleological thinking in general, I admit that a theory of semiotics based on the purpose of language may seem like a naive proposal.”

Don’t hurt yourself.  I had to revise this because each of the prepositional phrases seemed isolated from the overall flow.  When you read it aloud, it sounds like the individual bricks are falling apart and the overall building is crumbling.

A certain amount of lyrical peanut butter is needed as mortar to hold together the meaning of language, even when it’s prose.  Rhythm and euphony are not just fun games for people with nothing better to do.  They are an essential function of human expression.

Until tomorrow,

Tim

It’s Never Just Cereal

Day 78: Monday

Good morning Zak,

So my three flatmates and I are a bit like a dysfunctional family.  Yesterday one of them got back from her boyfriend’s house and found that a brand new cereal box she had bought before leaving for the weekend was empty.  I’m pretty sure the cockroaches ate it, but that’s not what she thinks…  There’s a thief among us!

1024px-cockroach_may_2007-1

I think he’s kind of cute. what, with the little antennas. they were the previous tenants, who overstayed.

It’s impossible to be angry while eating a freshly baked pizza.  That’s the real problem in this apartment.  Everyone’s too skinny, and they won’t sit down to have a nice piece of my homemade pizza on Fridays.

Zak, you’re the philosopher between the two of us.  Maybe you could explain Edmund Husserl to me.  What’s that guy’s deal?  We talk about him a lot at the conservatory here in Milano, but Italians have a funny way of reading German philosophy…

Another flatmate wants compensation for all the cleaning she has to do.  That sounds like a nice deal for me too.  We should look into that.

Yeah, I ended up with all girls—grow up, people!

edmund_husserl_1910s

Zak in twenty years

I mean phenomenology is great for natural science—despite whatever Husserl thought it was for.  I realize there’s something tidy about not making too many assumptions about the external world, or even about other people.  But aren’t some assumptions worth making?  I’d rather have Freud presumptuously tell me I’m sick and twisted than B. F. Skinner quietly intimating that he knows nothing about me.  It’s better to live with a vocal cereal-rights activist than with someone passive-aggressive who just quietly throws away all the toilet-paper.  Amusing as that is. 

So while I’m sparing you the gory details, we’re obviously having difficulty empathizing with each other.

But I insist on this: that human contact is the end purpose of language.  That’s why I’m writing to you, and that’s why I enjoy reading so much.  When I first read Dante it had a big impact on me.  I felt I had escaped for a moment from the prison of my own head and caught a brief glimpse inside someone else’s.  That’s exactly what I’ve always wanted to do in life, and I felt that this was an experience I shared with other readers.  Illusion or not, that’s how I felt.

Today’s unusual usage for spoons: clashing them loudly into a dishwasher at two in the morning to express how poorly washed you find them to be.

When Freud sat down his patients to explain how sexuality was the latent force behind all their thoughts and dreams, well, I’m sure they didn’t terribly appreciate that at first.  But at least he was assuming for better or worse that there was something to it all.  Something being expressed.

reading-297450That’s what it means to read a text—to assume there’s something to it all.  Some existing object encrypted within language.  If we don’t make that assumption, we’re not really reading, we’re just looking at little black shapes on pieces of paper.  If you’re merely a scientist, maybe that’s all you see.  But no one’s merely a scientist.  For me, a complete human, there’s conscious meaning behind those little shapes.

I’m not saying the meaning has to be sex… it could be contact in general… or fruit loops.

I guess what I’m saying is there must be something to this whole cereal craze.  I should make good assumptions.  I should try to take a peek inside my flatmate’s head and come to empathize with her deep feelings about cereal.  Let’s be honest.  We all know it’s never just about cereal.

Until tomorrow,

Tim